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What followed next was a powerful nine-week run in the domestic box office where the film eventually went on to gather more than 5 million viewers.Although it did open in the number two seat slightly behind Another Public Enemy, word of mouth soon launched it into the number one position during its second week.

The question and answer session with the director and lead actors that was held after the showing went on for much longer than anyone was accustomed to.

Most questions had to do with how Jo Seung-woo was able to convincingly take on the role of an autistic young man.

Although the general path followed by the plot is pretty straightforward, Song leads us down many odd and fascinating detours.

There is So-yeon's uncle, a middle-aged man with bleached blonde hair who hasn't spoken since his wife abandoned him.

To capture a natural setting so well on a medium that often feels cold and sterile is an unusual accomplishment.

The relaxed, convincing performances of the actors also deserve notice.

In Song's other works, such elements sometimes feel forced or self-consciously arty, but here they blend with the otherworldly presence of the island and add a sense of mystery.

Git (which means either a triangular flag or "feather" in Korean) is surprising in several respects.

This may have been what happened with Git by Song Il-gon, the director of Flower Island (2001), Spider Forest (2004), and various award-winning short films including The Picnic (1999).

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